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Aloha Crash, Box 32, 1947

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More, Box 29, 1947

Joel’s attempts to photograph through a storefront window stood out in the remainder of this box. It is notoriously difficult to get the subject right because of the reflections. I do sense this was a photography class assignment. And these reflections, in addition to see-through opportunities, can give us additional clues. There’s a partial “C…
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Eano Canepa, Box 28, 1947

This box simply says Eano Canepa Graduation 1947 and Sum (sic) Dinner 1947 A total of 16 negatives. Ten graduation related and 6 images of friends at dinner. According to Naranjado 1947, Eano graduated in June 1947. This anchors the date on the images. Why would Joel photograph Eano’s graduation ? They were close friends…
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SJC Art, Box 27, April 1947

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Jack Pahl, Box 24, 1947

Few different subjects in this box where the majority is photographed on Agfa Super Plenachrome Press stock. The pencil marks read “Jack Pahl Family, Dec 25, 1947” and below that “Torlan, Dec 26, 1947” (Note: Torlan could also be Toulau, Toilan … Joel’s spelling is often erratic.) We do find multiple subjects in this box…
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More color, June 14, 1946

Yesterday was actually our 50th blog post in this discovery of Joel Pahl Dardis photographic work. We’ve seen over this time some 750 images so far. Below are a few more Kodachrome images from the June 14, 1946 box. These are all Carnival or Circus related. We’ve seen some isolated slides before on this subject…
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Family, Pool, Box 17, 1946

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More etc., box 16, 1946

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Portraits, Box 16, 1946

The vast majority of the negatives in box 16 are portraits and I believe this the result of a class assignment. There are portraits indoors and outdoors, some of the outdoors portraits utilize a reflector in an attempt to enhance facial lighting. There are a total of four young ladies in the picture, I don’t…
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Track, etc., Box 15, 1946

Few images from a track event in 1946. From a photographer’s perspective, Joel is learning how to freeze images in motion. This would be perfectly in line with a class objective, and it is a necessary skill for a photographer to grasp all the concepts required to freeze motion. What is not clear to me…
